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The Maths of AI Content Don’t Add Up

May 11, 2023 By DanThornton Leave a Comment

Every day brings more generative AI startups, or examples of the apparently amazing things that are now possible. But the maths of AI content don’t add up, and I’m not talking about their ability to get simple addition wrong.

There’s growing analysis of the technology costs, including the infrastructure and servers, training large language models (LLMS), and more. Along with the carbon emissions, and the use of invisible human labour to provide reinforcement learning with human feedback (RLHF). For example, this Ars Technica op ed, or this Andreessen Horowitz analysis. Whether you advocate for an AI future or have strong views against it, the huge cost factors are undeniable.

So there are issues if you plan on creating your own large scale AI service without the funding to match Google and Microsoft. And there are environmental and moral problems, depending on your views about the planet and exploiting cheap labour.

Then there’s the issue of massive private companies using publicly-available content to train the models which replace the original writers, artists, designers et al. At some point there will be a legal resolution to the debate, but in the meantime, those services are using work to profit without any form of permission or compensation.

And a further question about the value of AI content. The current model for creators and publishers is that they are either paid directly by their audience, or monetise the attention they receive through advertising, affiliate programs and more. But when I pay for music and entertainment, it’s partly for access, and partly to compensate the people who made it.

One argument for paying rather than pirating is that it’s quicker and easier for those with money to get access legally. But even when an author like Cory Docotorow has made pretty much everything available for free through legal means, I’ve still bought copies for myself, friends and family. Because I want to offer some financial compensation for the time, effort, knowledge and skill he’s invested in the creative process.

Even if AI could perfectly create new works indistinguishable from the novels of William Gibson, I’m not going to pay for them. Not only do I want some amount of financial recognition and reward to reward the author, but at that point, I could just pay the AI company for access and produce endless works myself.

The Maths of AI Content Don't Add Up
The Maths of AI Content Don’t Add Up

What about the workers and craftspeople that AI is inevitably replacing? The always insightful Danah Boyd recently published a great article about the problem of Deskilling on the Job, which highlights how we have dismissed the training and socialisation which comes from automation replacing training at work, socialisation and existing knowledge.

That’s a risk if you’re part of what Boyd terms Camp Augmentation, who promote AI as a tool which will boost human abilities (As opposed to Camp Automation, which sees it as a complete replacement).

If you talk publicly about the risk of jobs completely vanishing, then you’re normally answered by either the belief AI will bring new opportunities, or that we’ll end up introducing universal basic income (UBI) for everyone to support their needs while pursuing whatever interests they fancy.

But the ‘new opportunities’ argument doesn’t stack up. Even in a very quick analysis, creating a short video for Youtube might typically require one or more people to take on roles including scriptwriter, camera operator, presenter, video editor and graphic designer. Depending on the level of production, you could add makeup, directing, audio production, music composition and more.

Using AI, that can all be replaced with one person creating the right prompts. Not only do you potentially lose employment for several people, but the AI version can be created much more quickly, and alongside other projects. So that one individual still employed will be earning for 30 minutes, compared to potentially days of income.

The new opportunities, which don’t yet exist and no-one can yet define, aren’t going to offer the same quantity of roles. That’s the entire point of automating in a capitalist system. And there’s a finite amount of people who are young enough or able to retrain in a role which isn’t as quickly replaced. Barriers to becoming a nurse, plumber or builder include supporting yourself while you retrain, any kind of aptitude, and having the physical ability to do those roles.

Then comes UBI, which even co-founders of private AI companies are suggesting governments will need to fund. With less people working, and therefore less tax revenue given that the leading tech companies behind AI are generally experts in avoiding their responsibilities in that regard.

My favourite take on this comes from OpenAI CEO who suggests UBI could free up people to pursue more creative work. Having removed their ability to earn from it, with Open AI. So his company profits from replacing creative workers, but governments can then subsidise people to be creative.

Again, it doesn’t really add up. Especially when a proportion of creative people are driven by the urge to reach people with their work, as much as the process of creation. But that’s already hard enough if you’re not picked up by large publishers.

There’s a massive amount of discussion and research into UBI, and a number of potential issues even if funding isn’t an issue. While there are benefits including to health and reducing poverty, it has massive implications for social mobility, morality, creativity etc. In Arthur C Clarke’s 1953 novel Childhood’s End, the golden age of prosperity is at the expense of creativity, before humanity becomes extinct. And while AI isn’t directly equivalent to alien Overlords, our species always seems more threatened by the banal and mundane.

And ultimately, I come back to the AI question that always perplexes me. Given that AI can achieve amazing results in analysing large data sets, particularly in narrow fields of expertise, why have so many people chosen to focus on generating content rather than investigating potential symptoms and cures for chronic diseases, or other tasks more valuable to us as a species?

I’m not aware of any chronic content shortage in human history? Access might be limited through censorship or paywalls, but I’ve already got more books in my various wishlists than days left in which to read them. Which is good, considering once AI has devalued the worth of publications, I’m not particularly interested in reading them…

So how do you resolve the fact that the maths of AI content don’t add up? Short term profits for large companies and big investors.

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Filed Under: Technology, Uncategorized Tagged With: ai, AI Content, Artificial Intelligence, creativity

Timeless Tools And Their Enduring Value

April 13, 2023 By DanThornton Leave a Comment

I recently needed to buy a knife for box cutting and household chores. So being me, I binged on reviews and YouTube videos covering everyday carry (EDC) knives, survival blogs and other sources. And it turns out that one of the best, and cheapest options was designed in 1890, with some minor improvements in the 130-odd years since.

The Opinel is a folding pocket knife manufactured in France in various sizes. It was created at the turn of the century, when Joseph Opinel combined his family history of hand-crafting tools with the modern manufacturing techniques of the time. Available in 12 sizes, the only update has been to add a rotating collar system to lock the blade open or closed.

The result is a knife that is made of just 5 parts, and costs around £10 direct from the factory in the most popular No 8 size. I actually ended up ordering my No 7 along with some other items from Amazon.

My classic Opinel No 7 folding knife
My classic Opinel No 7 folding knife

And it’s made chores like cutting down delivery boxes much more pleasurable than when I used a modern Stanley FatMax, and saves me from burning through replacement knife blades. All I should need for years is the Opinel, and a fairly cheap whetstone sharpener.

Using rhe knife might not turn me into a woodsman or carpenter, but it makes me appreciate simplicity and investing my time in tasks that get me away from a computer screen. And from the constant pressure of both modern life, and the need for the latest gadgets.

Old tools aren’t always best, but a lot of the designs that lasted were down to their performance, and the fact they could be repaired to continue working rather than being thrown away. I like the idea of them outlasting me, even if they might become Triggers Broom (it’s ironic that when I looked for a definition of the term, one of the first results is from Adam Bowie, who I worked with many years ago).

They bring back old memories of helping my dad work on cars and DIY as a child, and recent attempts to teach my son how to cut vegetables without removing bits of his fingers. Using tools reinforces the idea that idea that most things are fixable if you put in a bit of effort, adventures are accessible in the local countryside, and you can build things for yourself rather than just consuming them.

It’s something missing from so many modern products and services. Everything has converged to look the same, and become disposable after a short time. Most modern cars look identical because air tunnel efficiency helps fuel economy, but takes away all the emotion. And I suspect that it will only get worse as we allow AI to create a recursive loop of the most optimised results.

Incidentally, if you’re looking to buy a knife in the UK, it’s worth knowing that it’s illegal to carry a locking pocket knife in public without a good reason (for instance, if you’re taking it to work and use it as part of your profession). It’s why I’ve also picked up a non-locking Victorinox Bantam for camping and roadtrips, etc. And it’s illegal to use any knife in any threatening way.

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Filed Under: Design, Gadgets Tagged With: Knives, Opinel, Tools

Investing in my home workspace…

August 8, 2022 By DanThornton Leave a Comment

One of the biggest challenges in being self-employed can be spending money where it makes sense. So seeing as I’ve been investing in my home workspace recently, I wanted to share some of the purchases which have made a noticeable difference. Whether that’s productivity, or just having an enjoyable space to work in.

Most noticeable are the new Razer Ornata V2 Keyboard and Trust GXT 960 Gaming Mouse, as they both contain more lights than most town centres at Christmas. But I had some sensible reasons for buying each upgrade, besides making my work desk look like a 14-year-old Fortnite addict has taken residence.

Investing in my home workspace...
Investing in my home workspace…

Despite investing in a desktop PC for both work and sim racing, I’d been relying on the same old keyboards and computer mice for years. Whenever one stopped working, I’d look through old storage boxes and just grab whatever had been accumulated over the years. Even after writing articles about the importance of ergonomics for the health of deskbound freelancers, and switching to a trackball for a time due to wrist and RSI issues.

So the main attraction of the Razer Ornata V2 was that it’s a stepping stone to investing in a high end mechanical keyboard. And the ‘mecha-membrane’ technology means it’s a halfway house which was reasonably ergonomic, and some reviews mentioned it was pretty good for touch typing.

After using it for a month, it’s much more comfortable and enjoyable to type with compared to a cheap keyboard. And after installing the bloatware to control the lighting, I’ve found a nice cyan which helps me work in low light reasonably effectively, rather than distracting myself with the various effects available. Although when I do finish for the day, I’ve enjoyed some of the interactive light effects available in some games.

Aside from the feel of the keys, the built-in volume and mute control is handy to avoid me having to reach around monitors to access my desktop speakers, especially if I’ve got a call or meeting at short notice.

It comes with a wrist rest, which is fine, and has held up OK so far. Although I’ll be interested to see how it handles 12 months of heavy-handed typing.

The Trust GXT960 mouse was bought at the same time, and not for the RGB lighting. So far, I haven’t been motivated to actually install the software needed to change from the default rainbow pattern, and I’ve pretty much learned to ignore it.

Instead, it was purchases between it’s lightweight with a honeycomb shell which helps to keep my hands cool and comfortable. And it’s reasonably sized for someone with fairly small hands. My old mice were getting increasingly clunky and inaccurate, even after a thorough cleaning. And so far the optical sensor and low-friction pads have kept it smooth and accurate for work and occasional gaming.

Underneath both is a Titanwolf XX Speed Gaming Mouse Pad. Which is a cheap upgrade I can’t recommend enough. No more struggling to stay on a tiny mouse pad, or risking picking up dust and rubbish from a desktop.

I’ll admit I picked the skull design for the goth/metal aesthetics, but it’s also one of the more subtle choices. And honestly, it’s made a huge difference to be able to use my whole desk space as a mouse pad. I’m not trapped into the same repetitive movements when I’m working, which definitely helps with wrist aches and strains.

The final indulgence was an OXO Good Grips laptop cleaner (not pictured). You can find something similar for less, but it’s handy and comfortable to use. It’s easy to put off the hassle of a thorough clean with microfibre cloths, compressed air and a service of the desktop PC case, so it’s perfect for a quick wipe down every so often. Mine came bundled with a single brush at the time, which is good for phones or other smaller electronic gadgets, and has inspired me to take a bit more pride in my home office.

Also pictured alongside a selection of back-up batteries for vaping are a LEGO dinosaur from my girlfriend, who also bought me the Pomodoro timer. And she’s also the absolute genius who invested in some Aonbys USB fans at the first news of a heatwave in the UK. Mine’s been permanently plugged in and whirring away quietly for a while and kept me from going insane during the hottest weather.

Another couple of cheap investments were a basic monitor stand and desk footrest. Again, both have made a big difference in how comfortable it can be to spend a lot of time at my computer, and I’ve noticed a reduction in neck and back aches as a result. If you’re working from home, it’s definitely worth considering both to improve your ergonomics rather than living with joint pain…

Nothing listed above is particularly prestigious or expensive. The keyboard was the biggest investment, but it’s dirt cheap compared to high-end mechanical examples. But it’s reminded me how important it is to occasionally treat myself to practical and fun upgrades to make work, and play, more enjoyable.

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Filed Under: Life, Work Tagged With: home working, working from home

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Dan

Sidebar Profile Founder at TheWayoftheWeb and Hot Mod Media. Go there for Content, Marketing and Business. Co-founder, Digital People in Peterborough and dogsbody at Peterborough STEM Festival. Stay here for more personal stuff, pop culture, and other loosely related cool stuff. More about me.

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